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Grateful Dead Live at Community War Memorial Auditorium on 1983-04-15




Set 1

Shakedown Street
My Brother Esau
Brown Eyed Women
Little Red Rooster
Dire Wolf
Lazy Lightnin' ->
Supplication ->
Deal

Set 2

Feel Like A Stranger
Samson And Delilah
Ship Of Fools
Maybe You Know
He's Gone ->
Bob Star () ->
Drums ->
Space ->
Throwing Stones ->
Not Fade Away ->
Goin' Down The Road Feeling Bad ->
Around And Around ->
Johnny B. Goode

Encore
It's All Over Now, Baby Blue


3 - My Brother Esau
[MusicBrainz (recording)]
5 - Little Red Rooster
[MusicBrainz (recording)]
8 - Supplication ->
[MusicBrainz (recording)]
10 - Tuning
[MusicBrainz (recording)]
15 - He's Gone >
[MusicBrainz (recording)]
20 - Not Fade Away >
[MusicBrainz (recording)]
Collection GratefulDead
Band/Artist Grateful Dead
Venue Community War Memorial Auditorium
Location Rochester, NY

Source (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II)
Lineage Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/24
Taped by Charlie Miller
Transferred by Charlie Miller

Notes

-- Set 2 is seamless
-- This is a 24-bit recording, 16-bit version also circulates
-- Recorded 15 feet in front of sbd, about 10 feet to the right
-- This was the first Grateful Dead show I taped
-- Patch source was slightly EQ'd to better match my tape
-- Unpatched cut during first few seconds of Around And Around

Reviews

Reviewer: HEATERBELTS - - May 21, 2009
Subject: belts
good recording, fair show
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
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Source: Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes
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Source: DTS-Audio-CD 5.1 Mix; SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes
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Source: (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) > MAC
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Source: AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII)